
In a review of “Fictions,” currently on view at the Studio Museum in Harlem, Chief Art Critic Holland Cotter writes that the museum ushers in “a brilliant batch of emerging artists of African and Latino descent.”
In a review of “Fictions,” currently on view at the Studio Museum in Harlem, Chief Art Critic Holland Cotter writes that the museum ushers in “a brilliant batch of emerging artists of African and Latino descent.”
rofessor Maria Elena Versai’s essay shows how artists such as Robert Delaunay, Umberto Boccioni and Giacomo Balla contributed to establishing modern painting not just as a form of visual experimentation, but as a radically new mode of reflection on the process of seeing, perceiving, and making sense of the world.
Featuring Allison Smith, Cristóbal Martínez, Dread Scott, Andrea Zittel, Heather Dewey-Hagborg in conversation with Chelsea Manning, Frances Stark, and Robb Hernández
As part of Hyperallergic’s series “Drawing in a Time of Fear & Lies,” Susanne Slavick published her work “Pennies from Heaven I” on the website.
Professor Devan Shimoyama, who won the Pulse prize at last year’s fair, will have a solo booth with Samuel Freeman Gallery. Pulse runs December 7-10 in Miami Beach.
Students and faculty from CMU’s School of Art, School of Music, School of Computer Science, the BXA Intercollege Degree Programs, and Integrative Design, Arts and Technology (IDeATe) Network put on a one-hour festival Saturday in a limestone mine in Brady’s Bend, Armstrong County.
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