Featuring Alisha Wormsley, Jaume Plensa, Hilton Als, Johannes DeYoung, Walid Raad, Renée Stout, and Stephanie Syjuco
Announcing the Spring 2020 Visiting Artist Lecture Series!
Category: Featured
5 Questions for Peter Burr BFA ’02
Peter Burr BFA ’02 creates immersive animated cinematic artworks that hover on the boundary between abstraction and figuration.
Professor Shimoyama Exhibits at the Het Nieuwe Instituut in Rotterdam
Professor Devan Shimoyama is included in the group show “The Hoodie,” an exhibition exploring the role of a fashion garment as a socio-political carrier.
Professor Levin and Lingdong Huang BCSA ’20 Analyze National Gallery of Art Collection as part of CMU Team
The National Gallery of Art is the first American art museum to invite teams of data scientists and art historians to analyze, contextualize, and visualize their permanent collection data.
Lena Chen MFA ’22 Exhibits, Performs, and Presents at THE ARTS+/B3 The Future Culture Festival in Frankfurt, Germany
Chen’s video installation, “Expose Her” is a portal into the secret life of a woman who creates an alter-ego after a traumatic event.
Alumni John Currin BFA ’84 and Jessica Vaughn BHA ’06 Open Solo Shows at Dallas Contemporary
John Currin: My Life as a Man and Jessica Vaughn: In Polite English One Disagrees by First Agreeing continue through December 22.
Welcome from Head of School Charlie White
We are excited to get to know our vibrant and dynamic new first year class—who come from all across the US and from five countries around the world—along with six phenomenal new MFA candidates.
Announcing the Fall 2019 Visiting Artist Lecture Series!
Featuring Anya Clarke & Mitsuko Verdery, Kalup Linzy, Jongwoo Jeremy Kim, Jaume Plensa, Amanda Ross-Ho, and Tschabalala Self
The School of Art Announces New Faculty Appointment in Sculpture
Isla Hansen uses sculpture, installation, and performance to reinterpret and complicate the body’s relationship to technology.
Dana Bishop-Root and Ruthie Stringer to Teach Contextual Practice in MFA Program
Through their longstanding collaborative practice, Bishop-Root and Stringer engage with the ways art exists within a local context.
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