The tightly curated list of 32 includes artists and collectives from across the globe, focusing on what it means to be “international” in this moment in time.
The John Simon Guggenheim Memorial Fellowship, one of the most prestigious grants for contemporary art, is awarded to individuals who have demonstrated exceptional capacity for productive scholarship or exceptional creative ability in the arts.
Among the artists included in the exhibition are School of Art Professors Andrew Ellis Johnson, Paolo Pedercini, and Imin Yeh and alumni Lauren Frances Adams MFA ’07, Michael Mallis BFA ’08, and Jina Valentine BFA ’01.
Tartan Art profiles student artists and publishes editorials on issues that are important to School of Art students. As the group grows, they’re hoping that being featured on Tartan Art could help students make connections that are helpful to their careers.
Thanks to all alumni who came out to reconnect with us on the rooftop of The Standard in downtown Los Angeles on Thursday! We always enjoy hearing the latest updates from our alumni, who give us so many reasons to be proud.
A new additional major in Engineering and Arts, offered by Carnegie Mellon University’s College of Engineering and College of Fine Arts, combines the study of engineering and art into one, integrated degree.
Inspired by the African Diaspora, historical and current world events, as well as everyday life in her DC neighborhood, Stout creates in a variety of media, including painting, drawing, mixed media sculpture, photography and installation.
“Now, as students, is your time to work as hard as you absolutely can to absorb as much as possible. The rest of your life will be a slow burn of realizing what you absorbed.”
Mel Bochner is among the first eight artists selected by New York magazine to kick off their 50th anniversary. Over the course of the year, the magazine will rollout 50 artist-designed covers in a project titled “My New York.”
This show, which is comprised of eight large-scale works in oil, is a celebration of his depiction of the human nude, a subject that has preoccupied Pearlstein since 1960 .
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