
I’m most excited about my work with material technologies on the fringe of abject.
I’m most excited about my work with material technologies on the fringe of abject.
I’m trying to wrangle a whole bunch of big ideas about capitalism and family and memory and trauma and empathy and the super out-of-touch idea that humans can somehow ‘escape’ into space.
My work references the things that reside at the edges of our awareness and understanding; the impossibly big and the incomprehensibly small.
Since working from home: “It has been productive and healing to be able to revisit old practices such as painting and drawing.”
I’m currently working on a 22,500-page co-authored digital book that documents 22,500 square feet of the CFA Lawn.
The images I study are the easy or obvious representation of socio-political differences, but by working with them, I can complicate their intake both materially and as an attitude interpersonally.
I use sport and athletics as a language and lens through which I see and create my work.
I call myself a sculptor because someone once told me “everyone has a vague idea of what that means, but no one’s willing to ask.”
I’m interested in constructs of the self, overlapping planes of reality, and cute things.
I work mostly in photography and visual narrative, but I think a lot about stories that can be told through the invisible.
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