Category: First Year MFA

London Williams

London Williams is a multidisciplinary artist that navigates intersections of blackness through masculinity and sexuality within paintings, drawings, photographs, and mixed media. The work approaches documentation of the domestic interior as a reproach of a history that has yet to be lived.

Steve Alexis

Steve Alexis is an artist whose work focuses on framing and conveying emotive transference through abstraction. He employs mark making, bold color, and large-scale to create works that speak to the idea of connecting to beauty. He works across the modalities of jewelry, painting, sculpture, performance, and ceramics.

Inbar Hagai

Inbar Hagai works largely in long-term projects, combining video, VR and sculpture, as well as experimental art films verging on the documentary. She focuses mainly on human-animal power relations, the way the feminine image is constructed through kitshi fantasies and the ethical ambivalence of art.

Julianna Johnston

Julianna Johnston’s work begins with human interaction. Co-opting the mechanisms of the surveillance state and the visual lexicon of data collection, they analyze workshops and participatory experiments. Re-presenting them in time-based works and performances that call into question the limits, inaccuracies, and biases inherent in contemporary interfaces and digitally mediated experiences.

Sobia Ahmad

Sobia Ahmad’s interdisciplinary practice investigates how our deeply intimate struggles of belonging can inform larger conversations about national identity, notions of home, cultural memory, and gender. By weaving personal and communal narratives with current and historical socio-political contexts, she highlights the inseparability of the self and larger power structures.

Anisha Baid

Photograph of Anisha Baid

Anisha Baid’s practice and research involve an investigation of pervasive technologies through an examination of their design, diversity of use, and their relationship with ideas from science fiction. Her work attempts to poke at the flat-scapes of the computer screen to decode computer labor through the interface — a technological tool that has converted most spaces of work into image space.