Laura Hudspith’s interdisciplinary work explores the relationship between chronic illness and feminist action. With a focus in autotheoretical methodologies, her work positions practice, performance, and product as indistinguishable elements that are equally personal and political in nature. Casting and capturing pieces of herself in poetic texts, sculpture and lens-based work, Hudspith enacts rituals of self-imposed objectification where the asomatous is somatically shed and agency reclaimed.
Sarah Bowling is an interdisciplinary artist exploring the power dynamics embedded within intimacy and relationships, the phases of vulnerability within the self, and the weight of desire. Her work is brightly colored, blingy, and unapologetically demands attention.
Caroline Yoo’s past informs her work exploring the boundaries between belonging, othering, and being. Using her body as vessel, she poses questions on larger topics of power structures and embedded cultural norms in relation to immigration, race, gender, and sexuality.
Working across film, video, installation, performance, and text, Rebecca Shapass creates bio-mythographic, audio-visual worlds where the fissures between personal and collective memory are mined to reveal fragile systems of perception and remembering.
Rosabel’s visual language has been informed by her extensive Garbage Pail Kids collection, soap opera sets, hitler’s mustache, anti-infestations, her lazy eye, being a little gay, synchronized swimming, traffic on the 405, sunburns, heartburn, stained glass windows, her rollerskating Bat Mitzvah party and her Zayde.
Jessica Fuquay’s multidisciplinary work explores the role of mass media, performance, and other dominant cultural forms in the construction of political subjectivity. Her practice, often drawing from her perspective as a first-generation Colombian-American, is concerned with conflict, power, and systems of domination that reproduce and designate otherness.
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