"Ephemera" highlights a diverse selection of artwork that explores the duality of transience and permanence through a rich variety of techniques and themes. The exhibition features School of Art students Matthew Constant, Ariana Daly, October Donoghue, Andrew Edwards, and Summer Leavitt.
{Shan, Shui}* is an automated process of producing a never-ending scroll of Chinese landscape painting.
The Frame Gallery presents a solo exhibition by undergraduate senior Deborah Lee, opening March 2, 6-8pm.
As a Korean-American straddling two consumerist cultures, MFA Candidate Yejin Lee’s work offers an alternative to the excessive stimulations in our daily life by advertisements, social media, and news in a mass-consumer culture.
Created within the current political tumult, new works by the 2018 CMU School of Art MFA candidates examine pop culture fantasies of entertainment, capital, and collapse.
In Loving Memory, a solo exhibition by School of Art senior, is a memorial for loved ones lost and a celebration of lives and memories shared. It is a sister show to Messy, a 2017 exhibition about grief, loss, and mourning through making. Come and reflect.
"Familiar Terrain" is a multimedia show by School of Art sophomore Ema Furusho that explores surfaces of the human body as well as the materials we use to embellish it.
Thinking In Place, an installation by Clelia Knox BHA '20, borrows its name from a similarly titled book by Carol Becker, which has, in the past year, provided me with some gentle guidance on what it means to bring the often heated, intimate fragments of my memories outside of my self.
"A Perfect Home" addresses the entanglement of the domestic with femininity, queer identity, nostalgia, and subversive love.