
Professors James Duesing and Imin Yeh and Shohei Katayama MFA ’19 are among the 14 winners from the award’s inaugural year.
Professors James Duesing and Imin Yeh and Shohei Katayama MFA ’19 are among the 14 winners from the award’s inaugural year.
“Maxwell’s Demon” is a post-apocalyptic early computer animated vision of humanity lost in an industrial wasteland.
“Tugging the Worm” is an allegorical film that takes place in a utopian society which has faced the prospect that complete annihilation is an ever present possibility.
Founded in 2000, the Arts in Society Research Network offers an interdisciplinary forum for discussion of the role of the arts in society.
“Artists Who Teach” brings together professors and instructors from colleges and universities across southwestern Pennsylvania.
For “20/20 Hindsight = 40 Years,” an exhibition celebrating 40 years of Spaces in Cleveland, Professor James Duesing exhibits his animation “Gray Elegy.”
“Independent Frames: American Experimental Animation in the 1970s and 1980s” examines the work of a group of American artists who approached film through independently-produced, frame-by-frame animations in the 1970s and ’80s.
The screening is part of “Independent Frames: American Experimental Animation in the 1970s and 1980s,” which originally screened at the Tate Modern.
Animation Career Review published an extensive interview with Professor Duesing about CMU’s Center for the Arts in Society and the role of art and technology in society.
James Duesing has worked in many forms of animation, from traditional hand drawn and early digital work to 3D and motion capture projects. He has explored animation individually and collaboratively in film and digital forms along with its integration into installation, web eBook and print. In his book HYPERANIMATION DIGITAL IMAGES AND VIRTUAL WORLDS, animation… Read more »
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