Allison Smith has produced over twenty-five solo exhibitions, installations, performances, and artist-led participatory projects for venues such as the San Francisco Museum of Modern Art, Public Art Fund, The Aldrich Contemporary Art Museum, The Arts Club of Chicago, and S!GNAL Center for Contemporary Art, among many others. She has exhibited her work in group exhibitions… Read more »
Month: September 2017
Welcome Home is a mixed media art exhibition which shares with viewers the intimate perspectives of artists Kasem Kydd and Brendon Hawkins.
3,677 entries were submitted from 106 countries for 2017 Prix Ars Electronica consideration. Ars Electronica is the leading international festival examining art, technology, and society.
For nearly half a century, Lowry Burgess has been a cornerstone of Carnegie Mellon University’s School of Art. This past year, he retired.
Professor Vesari published “Picasso/Boccioni in perspective” in the online acts of the international congress on Picasso’s sculptures organized last year by the Picasso Museum in Paris.
Now on view at Eastern Michigan State University in Ypsilanti, the “Great Lakes Drawing Biennial” is national contemporary works on paper exhibition occurring every two years.
“Fictions” is a survey of recent work by nineteen emerging artists of African descent who live and work across the United States.
Allison Smith and Christina Zetterlund present “Models for a System,” the seventh installation of “In That Case” at the Contemporary Jewish Museum in San Francisco. The exhibition is on view July 20,2017 – July 3, 2018.
Featuring Washko’s latest iteration of her video game The Game: The Game, the exhibition invites audiences to engage with the world of pick-up artists from the point of view of a femme presenting person.
“Delirious: Art at the Limits of Reason, 1950-1980” explores the embrace of irrationality among American, Latin American, and European artists.