Marianne Hoffmeister’s work focuses on the role and value of narrative and fiction in the construction of knowledge. Through drawing, video and installation, she plays with narrative hybrids, shared cultural imagery or alternative stories that shift linguistic and cultural boundaries that function as unintended, accidental phenomena between the lines of fiction, the mundane and the poetic.
Lena Chen is a multidisciplinary artist and activist exploring women's labor, spirituality, sexuality, and trauma. Experimenting with her own autobiography and identity, she works in collaboration with lovers, muses, and strangers to construct intensely intimate encounters, participatory rituals, and one-to-one performances.
Jessica Fuquay's multidisciplinary work explores the role of mass media, performance, and other dominant cultural forms in the construction of political subjectivity. Her practice, often drawing from her perspective as a first-generation Colombian-American, is concerned with conflict, power, and systems of domination that reproduce and designate otherness.
Matthew McGaughey’s work explores heteronormative masculinities and their hegemonic tendencies through the lens of personal history, media tropes, and dominant cultural practices. Using performance, video, narrative structures, and sound, his work creates scenarios of bifurcation and reconnection in order to reveal the unconscious social forces that inform dominant identities.
Georgia Saxelby is an interactive installation artist whose participatory practice investigates the relationship between ritual, gender and architecture. Through collective actions, reimagined rituals, and the constructing of new architectures, Saxelby invites her audience to perform a symbolic task in order to undergo an emotional and social transformation.
Lau Hochi works in the area of human-technology relation, interactivity, cybernetics, and computational media. Through making devices, interactive systems, and installations, he explores how technology shapes our way of seeing and everyday life. His works aim to problematize the idea of power, manipulation, and adaptation in technological systems.
As an interdisciplinary artist, Nathalie Moreno focuses on costumes, video and performance. Her work plays with the performative, often stereotypical, signifiers of Latinx identity, aiming to question and expand the iconographic significance of the Latinx body.
David Noel is an artist contemplating cultural hegemony within America as a transracial adoptee. He often uses his experience in the military as a model for interpreting phenomena—utilizing the military-civilian divide as a structure for analysis. A core part of Noel’s practice positions reenactment as a transformative act, capable of disrupting hegemony.
Max Spitzer is a teaching artist who works with large sculptures and small children. By conflating interactive object design, intuitive formalist abstraction, semiotic analysis, and pedagogical strategies, he questions the social implications of sculpture making and its potential to be harnessed as an educational tool.
Working across architecture research, object design, and sculpture, Huidi Xiang explores the recursive relationship between individual idiosyncrasies and collective ideologies. Undergraduate training in architecture fosters her interests and sensibilities in the potential sociopolitical issues caused by the gap between design ideology and individual singularity.
Tsohil Bhatia is an image-maker and performance artist from India working in performance art, photography, video, and new media. Memory, gender identity, domesticity, and the performance of national identity are recurrent themes in his practice, which he explores these through durational work.
Paper Buck is a trans interdisciplinary artist working across print, painting, video, photo, and installation. A foundational part of his practice is focused on anti-racist, feminist, queer praxis, and direct participation in social movements. Recent research-based projects explore the intersections of intimate and collective memory with national mythology, contemporary politics, and situated historical context.
Yejlin Lee’s work fuses Eastern traditional philosophy with Western contemporary scientific consciousness, exploring Oneness between all aspects of nature. In her repetitive discipline as meditative practice, she uses digital media and performance to connect metaphysical ideas with physical phenomena.
Adaptation and exploration are Michael Charles Neumann’s primary tools for intuitive investigation of natural phenomena, such as geology, cosmology, and evolutionary biology. His artistic research balances order and chaos through drawing, painting, interactive sculpture, found objects, analog technology, and open source tools to construct poetry in visual language.
Talya Petrillo's work is focused on social and psychological paradigms of dwelling. She primarily uses domestic building materials to address sculpture and installation, while calling on her interests in painting and story telling to explore composition and subjectivity.