Johnson and Slavick’s artworks address timely themes surrounding peoples affected by migration due to war, famine, climate change, political repression, and social injustice.
Tag: Andrew Johnson
“Arrogate” presents visual allegories of indictment, comeuppance, reflection and revenge, of rights violated, abrogated, lost and won.
Sculptures and large works on paper present depictions exposing our nation’s flawed foundation and its enduring legacy.
The works in “Getting There” address timely themes surrounding peoples affected by migration.
ASUNDER speaks to being torn apart or in pieces—whether through war, revolution, ideological impasse or willful ignorance.
“The Crossing” stares at the instability of freedom, the fragility of democracy, the precarity of the revolutionary spirit and the vulnerability of memory.
Works from the “Somewhere Over the Border” project depict migrants in their strength—possessing a past and dreaming a future.
Their video “Resort” screens as part of the International Migration and Environmental Film Festival (IMEFF), which will be held virtually October 9-16.
“Reimagining the Real” presents a broad survey of artworks by local and nationally-recognized artists engaging the legacy of realism in the 21st century.
Slavick and Johnson examine the contradictory fears and hypocrisies, ignored histories and punitive policies surrounding the challenge of migrants and refugees.